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Tyler Perry & Larry The Cable Guy: Together at last…
Umm… Remember how I said the following of Tyler Perry and Larry the Cable Guy just last week?:
He’s like the black, sophisticated and moralizing counterpart to Larry the Cable Guy’s white trash dumbass, and both of them manage to be equally insufferable while also remaining bankable, despite being so superficially different from one another. If they were to ever join forces and produce a film together, this would likely be the only reason I would go willingly to either one of their productions, if only for the fact that it would very likely be one of the worst things of anything ever and would thus likely never see the light of day again…
Um… Yeah, that’s happening… Guess I might have something to look forward to already this holiday season… X’(
The Michel Gondry/M. Night Shyamalan Parallel, feat. KIDS SWEDE MOVIES presents: ALIEN – CHEST BURSTER SCENE
You know, despite the presence of children in the scene, this is still pretty horrific. But also kinda cute.
I need to rewatch Be Kind Rewind, as I enjoyed it the first time, but it’s also kinda like M. Night Shyamalan’s Signs in that it was the third major feature film from a director whose first made me love them, but made me also realize that they were losing their creative edge, followed by a fourth film that was a huge disappointment.
Necessary Explanation:
Michel Gondry / M. Night Shyamalan:
1) Eternal Sunshine of the Spotless Mind / The Sixth Sense* – Visually stunning masterpieces with wonderful ideas and brilliantly moving performances.
2)The Science of Sleep** /Unbreakable – A welcome, enjoyable, and visually stunning shake up of a familiar genre (rom-com / superhero) that’s not quite up to par as their predecessor, but still pretty awesome.
3) Be Kind Rewind / Signs — Halfway good films that start to show that the director is fallible and is starting to trip up and they’re making some bad decisions with their creative freedoms. Enjoyable for what they are, but you kind of expect more, and the films leave you hoping for a return to the breathtaking form that made you fall for the directors in the first place.
4) The Green Hornet / The Village – The law of diminishing returns takes effect, and you begin to think that maybe it was all a fluke. They may redeem themselves some day, but, man, did this really suck!
And, so, yeah, there’s where my mind went when I saw this video. Alien parody -> “sweded” -> Be Kind Rewind -> Michel Gondry -> parallel with M. Night Shyamalan. That’s my random morning post and a little example of how my mind works. Hope you enjoyed it! I’m going to go enjoy my day off now!
[Video found via io9.com]
* The Sixth Sense technically came after Shyamalan’s Praying with Anger and Wide Awake, but those didn’t really put him on the map, so they don’t count as “major” films in my eyes, regardless of their quality.
** Dave Chappelle’s Block Party also isn’t counted here because it’s a documentary, rather than a story-driven film. Again, regardless of its quality, I’ve disqualified it.
The 84th Annual Academy Awards Ceremony: My Rough Summation
I always call the Oscars “My Super Bowl,” if only because it often comes around the same time every year and roughly has the same amount of buzz surrounding it, though I’m not so sure it has the same number of viewers. (That’s a lie. I know it doesn’t. Didn’t stop me from pigging out on a nice enchilada-style chimichanga like it was the Super Bowl!)
This year saw a decidedly milder ceremony, which some see as a nice turn after the somewhat disastrous choice to have Anne Hathaway and a mannequin host last year. They also brought back Billy Crystal for the hosting gig after Brett Ratner and Eddie Murphy left the production thanks to a disagreement about whether it was okay to call gay names. (It’s not.)
Gone were the musical performances of the nominated songs probably because there were only two, and they were silly songs that would have likely taken away from the retrospective feel of this year’s ceremonies. With 2011 being a relative disappointment for movie fans, there was much uncertainty as to who would be nominated and who would win for many of the categories, though there were a few more obvious than others. (Again with the songs.)
There were some major snubs (all things Drive and Shame) and some very unexpected choices (Extremely Loud & Very Close for Best Picture and Jonah Hill vs. Christopher Plummer). Overall, though, this was a relatively tame and bland ceremony that had me wishing they had at least tried something experimental again. I rather liked Hugh Jackman’s turn at the helm and its “creating a film” theme. This year’s “film nostalgia” experience felt like it was just Hollywood patting itself on the back while foreshadowing of the eventual winners.
Still, it was the Academy Awards, and I watched it all with relative interest. Below, for you, I have given my rough summation of each winner in my own eyes, whether I was familiar with the work (or even the category) or not. Why? Because I can. And frankly, this blog is as much about my growing film knowledge as it is yours, whoever you may be! Read more…
Spoilers: The New “Just Say No” Campaign
Click to see more Anti-Spoiler Campaign posters. Spoiler Alert: Possibly "offensive" language?
I know the world supposedly has a severe attention span problem, but seriously, why would you want to know the ending of something before you even bother diving in or before you’re even halfway through the movie?
Whenever I’m discussing a movie I’d like for someone to see, it’s almost inevitable that somebody is going to ask, in some shape or form or manner, “What happens at the end?” Why is that? Why would you want to know?
The movie, TV show, whatever you’re discussing, has been laid out for you already. If you don’t care enough about it, then fine, I get it. I reluctantly will stoop to spoiling it for you then, if you really don’t have an interest in seeing the film, though I’ll likely feel dirty doing it. But if you’ve already committed yourself to seeing it, even going as far as to sitting down and starting the movie, why would you then ask, “So why did that just happen?”
YOU WILL FIND OUT IF YOU JUST PAY ATTENTION.
When I go into the theatre or pull up a movie I have never seen, I want to know only one thing: the basic concept of the film. That’s it. That’s what informs me what a movie is about and whether it is worth my attention. Whether the film turns out good or bad, I have already decided to let the filmmakers tell me the story, not my friends, not my family, not someone on the Internet.
This goes along with my idea of art being a testimony. A film is more than just its plot — it is also the assemblage of its plot, the delivery of its plot, perspective of the plotters, etc. Context is everything. Consuming art from its intended context is how we get a full view, or at least begin to get a full view, of what the artist intended for us to take from it as an audience, and also what we as an audience actually do take from the film from our own perspective. Discussion of a plot before you know the outcome just ruins the experience of gaining that first impression from the artist themselves, rather than your friend’s rough summary of the experience. (On a related note, this is related to why it’s generally pretty rude to talk or make obnoxious noises during movies if someone hasn’t seen it yet, too.)
Even if you haven't seen this film, you probably know what happens in the end. Kinda sucks for you, doesn't it?
Once you have both seen the film, then by all means, discuss it and get someone else’s full perspective on it. That’s how we learn from art, and that’s how we get smarter, but we should always be mindful of the fact that there are others out there who have yet to be given the chance to experience some films, both awesome and bad, on a firsthand basis. And why would you want to rob them of that?
So I encourage you, if you spot someone about to spoil a movie for someone who hasn’t yet had a chance to experience it, stick up for the victim. Grab a sock and shove it in the spoiler’s mouth! And if the person you just stuck up for tells you they wanted to know the spoilers, give them a dirty look and say to them, “What’s wrong with you? You… you’re stupid, is what you are!” That’ll show ‘em.
(Sidenote: Now I admit, I often do want to know whether the movie is good or bad, as well. I get the whole issue of having limited time, and I do not think reading a thoughtful review – one that is mindful of not discussing the plot in full detail, that is – is contrary to having a movie spoiled. We are limited in our time, and our time is often best served elsewhere. I also understand that my reviews are often filled with spoilers. I try to notify you of this when I can, and if I don’t, then I really do apologize. I tend to review older films, and so these reviews are often intended to be at least an attempt at going deeper into my opinions and thoughts on the film as a whole and encouraging discussion, rather than just telling you a plot summary and what my rating is, but this site is essentially intended to encourage the post-viewing discussion more than it is just a reporter of quality. … At least that is my intent!)
Special Review: “Braveheart” – A Tale of Love and Conflict
Director: Mel Gibson
Produced by: Mel Gibson, Alan Ladd, Jr., Bruce Davey, Stephen McEveety
Written by: Randall Wallace
Starring: Mel Gibson, Sophie Marceau, Patrick McGoohan, Catherine McCormack, Angus Macfadyen
Music by: James Horner
Year: 1995
Whenever I ask people what their favorite films are, undoubtedly one out of maybe five people has listed Braveheart in their list. That’s not a 100% scientific assessment, now, but you get my point. People really like this film!
The thing is, I’ve never been able to relate. It wasn’t that I didn’t like the film. It was just that… well, I had never seen it. Much like The Godfather and Casablanca, this was one of those all time classics that, despite being a massive film fan, I had somehow managed to not see.
Eventually, I did see The Godfather and its sequels, and I did see Casablanca, and both sets of films definitely lived up to their reputations (including The Godfather Part III being the most pointless sequel). But I continued to remain uninitiated into the clan of Braveheart fans, and I continued to be gawked at by its respective members as they questioned my validity as not just a film fan, but as a human being – ”You mean, you have never seen Braveheart?” they all gasped! Read more…
Fifteen Minute Freewrite #2… in 3D
So, Disney has just announced that they’re going to be releasing even more 3D conversions of classic films in the coming years, thanks in large part to the success of The Lion King in 3D the past few weeks. As of this writing, the film is still in the #3 spot at the box office, though for two weeks or more it held the top spot, and it’s likely to set the home market on fire again thanks to today’s Blu-Ray release.
What’s particularly astounding is that this is both good news for animated films of the 2D nature and also, possibly, a good sign for 3D films. While Sony has announced plans to charge audiences yet another premium for using the glasses starting in February, Disney has found another way to convert 3D film tickets into money by converting their older films. Re-releasing movies in theatres is hardly a new thing, especially for Disney, but charging a premium probably seems counterproductive. The Lion King would beg to differ.
Sony must be nuts if it thinks charging more for unproven films that are made in 3D. Disney’s re-releases of Finding Nemo, The Little Mermaid, Monsters, Inc., and Beauty and the Beast (already on Blu-Ray and about to be released in 3D on the home market, too!) have already proven to be classics that everyone loves, so it makes sense that Disney would follow the success of The Lion King with these four films.
Then again, the first two Toy Story films didn’t do so hot when re-released in 3D, and that was building up to the surefire hit Toy Story 3, which was simultaneously released in 3D and performed under expectations. That the first two films’ performances convinced Disney to hold off on re-releasing Beauty and the Beast in 3D around the same time just confuses me, though it’s plausible that the apparently poor translation into 3D that they did on those films has been updated using the newer conversion tech they used on The Lion King, and I’ve already heard good things about it at a test screening.
I write all this to say… I have no idea what’s going on. I do have to clock back in, however…
Special Review: “Star Wars Episode IV: A New Hope” (Blu-Ray Edition)
Han shot first!
Last week should’ve been a special week for geeks across the world. Star Wars, both the original and the prequel trilogies, was released on Blu-Ray. The announcement, made almost a year before the actual release, made the wait unbearable. And yet, the promise of a brand new, high definition restoration of the films was cast into shadow — the dreadful sense within every fan as they held their breath and braced themselves for the inevitable betrayal as they sheepishly asked aloud, “Which versions?” And inevitably, as millions of Star Wars fans cried out in terror, the details finally came out into the light: These weren’t the films fans were looking for…
How does he even fit in there, now?! Click to see more changes at ScreenRant.com
An Ode to Pooh: Melancholy Ramblings on the State of Hand-Drawn Animation
Pooh and Christopher Robin head off into the sunset.
It’s the question on the lips of every animation buff’s lips: Is hand-drawn animation on its way out? Let me get this out of the way, as you likely already know my perspective on the matter: I certainly hope that it isn’t.
As of this writing, I’m eagerly anticipating the release of the Blu-Ray release of Disney’s 70-year-old classic Dumbo, a movie I haven’t seen in probably over a decade — I can’t even remember the last time I did see it, in fact! But outside of film, animation, and Disney uber-fans, is there any truth to former Disney dictator Michael Eisner’s supposition that, much like black and white movies, these movies no longer appeal to general audiences? Read more…
