Produced by: Nora Ephron, Lauren Shuler Donner
Written by: Nora Ephron, Delia Ephron
Cinematography by: John Lindley
Music by: George Fenton
Starring: Tom Hanks, Meg Ryan, Parker Posey, Jean Stapleton, Greg Kinnear, Steve Zahn, Heather Burns, Dave Chappelle
Based on the play Illatszertár (trans. “Parfumerie”) by Miklós László
When I had heard that Nora Ephron passed away not too long ago on June 26, I knew that I had to do a tribute review for her. It’s not that I was a huge fan of her, her films, her plays, or even her widely acclaimed various writings. From my earliest memories of becoming a fan of films, Nora Ephron was among one of the earliest names in film credits that I recognized consistently outside the much more widely recognizable names like Spielberg and Robert Zemeckis. This was largely thanks in part to my mom, who was a fan of many of the films she did make, especially Sleepless in Seattle.
I originally planned on reviewing Sleepless in Seattle, in fact, which was Ephron’s second film as director and first widely acclaimed film. It also happened to be the only film of hers that I had in my library, and only then due to the fact that my mom had somehow managed to have two copies and so, you know, why not? But, though it is not at all a bad film, I must confess that my already limited affection for it has waned over the years, primarily thanks to the Meg Ryan character going completely unrecognized as an insane woman who seriously needs help. Needless to say, after re-watching it for the purposes of a review after not seeing it for several years, I felt as though I wasn’t doing the director justice in writing up a review of a film that I began to see as, well, enjoyable but quite mediocre.
Luckily, I found justification in buying up one of her other films — one that I genuinely love. At $9.99 on Amazon and featuring a DVD copy of the older film, The Shop Around the Corner, which also borrows its story from the same Miklós László’s stage play, You’ve Got Mail was a steal, and its purchase a cathartic experience for me. You see, as a guy, it was hard to admit it for a while but, yes, I genuinely have the whole guilty pleasure thing going on with this movie. Read more…
The Michel Gondry/M. Night Shyamalan Parallel, feat. KIDS SWEDE MOVIES presents: ALIEN – CHEST BURSTER SCENE
You know, despite the presence of children in the scene, this is still pretty horrific. But also kinda cute.
I need to rewatch Be Kind Rewind, as I enjoyed it the first time, but it’s also kinda like M. Night Shyamalan’s Signs in that it was the third major feature film from a director whose first made me love them, but made me also realize that they were losing their creative edge, followed by a fourth film that was a huge disappointment.
Michel Gondry / M. Night Shyamalan:
1) Eternal Sunshine of the Spotless Mind / The Sixth Sense* – Visually stunning masterpieces with wonderful ideas and brilliantly moving performances.
2)The Science of Sleep** /Unbreakable – A welcome, enjoyable, and visually stunning shake up of a familiar genre (rom-com / superhero) that’s not quite up to par as their predecessor, but still pretty awesome.
3) Be Kind Rewind / Signs — Halfway good films that start to show that the director is fallible and is starting to trip up and they’re making some bad decisions with their creative freedoms. Enjoyable for what they are, but you kind of expect more, and the films leave you hoping for a return to the breathtaking form that made you fall for the directors in the first place.
4) The Green Hornet / The Village – The law of diminishing returns takes effect, and you begin to think that maybe it was all a fluke. They may redeem themselves some day, but, man, did this really suck!
And, so, yeah, there’s where my mind went when I saw this video. Alien parody -> “sweded” -> Be Kind Rewind -> Michel Gondry -> parallel with M. Night Shyamalan. That’s my random morning post and a little example of how my mind works. Hope you enjoyed it! I’m going to go enjoy my day off now!