2012 IN REVIEW: The Best Films of the Year

At last, we come to the climax of my review of the films of 2012. To those of you who continue to keep up with me, I one again apologize for the slow updates — I saw so many movies this past year and have been doing so much this past month that it’s been hard to keep up with a regular update schedule!

This is how I felt ALL WEEK!

I’m currently in the process of moving, with my best friend / roommate moving back to his hometown to be closer to family, so it’s been tough keeping up with the blog, hanging out with him a few more times after seven awesome years of being roommates, while also just figuring stuff out for the next period of my life living as a single person for the first time. It’s tough, but thankfully he lives where my family lives, and it’s only 100 miles away. Lucky for any fans I may have (Hello!…?), it’ll likely result in me doing more reviews, though the higher amount of rent I’ll be paying will undoubtedly impact my ability to go to the theatre as often as I have been.

On that note, before I get to the meat of this final entry, I want to thank everyone who has been reading this blog, regularly or even sporadically. I may not know you, but I appreciate you! This may be a hobby of mine, but it’s meaningful to me and keeps me sharp. I started The Viewer’s Commentary in September of 2011, after lots of personal setbacks and a good long while of feeling stupid and even being made to feel stupid for wanting to start a blog about movies, and by the time I finally decided to just go for it and not listen to the negativity, I still didn’t really know whether I was going to still be writing in even a few months’ time. So to already be in the middle of my second year and still be having a blast getting my thoughts and opinions out there about one of my favorite subjects has truly been a great experience. To those of you who have read, continue to read, and even to those of you I know personally who encouraged me and maybe don’t even share my passion and probably aren’t even reading this now but you supported me all the same, thank you again for being there! I’m definitely looking forward to what 2013 promises to bring! (STAR TREK INTO DARKNESS! FINALLY!)

The film’s villain amongst a bunch of red shirts. This isn’t going to end well…

Anyway, enough self-reflection! You’re here for the rundown of the best films of 2012, aren’t you? I assume so, since you are continuing to read this. I’ll let you get to that, but first, let me explain how this list is working, as I’ve changed it up a bit from last year and from most other “Best Of” lists.

First off, last year I did it in multiple parts (here, here, and, finally, here - in order). None of that this time. You’re getting this all in one big wave!

Secondly, and this is related to the third alteration, there are no longer just 10 films on this list, but rather a whopping 17. Why?

Well, that’s because the third alteration I made is that I’ve decided that a lot of the best films of the year weren’t necessarily my favorites, but I wanted to recognize their greatness by putting them on this list anyway, rather than lump them in with the films that were just average. (I did something similar with the “Films I Liked” this year after realizing I didn’t necessary love nor despise a lot of films enough to put them on the worst or best of lists.)

This did not make the list. This shouldn’t make any lists… BECAUSE IT SHOULDN’T EXIST!

So, while the films below are all fantastic films and deserve to be considered among the best of the year, their order has everything to do with favoritism over quality. After all, lists like these are highly subjective, and while it’s certainly possible to objectively call a film “one of the best,” ultimately by ranking such diverse works against one another, you just have to acknowledge the fact that you’re playing favorites.

 

So, yeah, anyway to review and summarize: These are, in my opinion, THE BEST FILMS OF 2012, but they are ORDERED ACCORDING TO FAVORITISM. Make sense? I hope so! If not, then just keep reading on, ’cause I think you’ll get it, anyway!

2012 IN REVIEW – The Films I Didn’t See: May – August

Ah, summer — the time of tentpole blockbuster films that are meant to pad out the studios’ budgets for the next few months. I believe I saw most of the major films released during this period, at least at some point in the year, if not the theatre: The Dark Knight Rises, The Avengers, The Amazing Spider-Man, Men in Black 3, Battleship… Overall, it was a more than satisfying year for quality summer blockbusters that pleased both audiences and critics. … Well, probably not Battleship. That movie was awful.

With so many films that release in theatres that are best seen actually on the big screen, though, it was only inevitable that smaller and/or less interesting films fell by the wayside of my attention span. Critically acclaimed features like Beasts of the Southern Wild and Oslo, August 31st would get unfortunately lumped in with similarly ignored-by-me crap like Step Up Revolution and That’s My Boy this past summer, which isn’t a commentary on their quality as much as it is a reflection of my time and budgetary restrictions. (I subscribe to a number of rental services and still buy and go see movies in theatres, but I can only do so much and thus prioritize quality spectacle films usually over the quality comedies and dramas.)

So while I do believe I got the most out of my summertime viewings that I possibly could, let’s go over the films that I somehow managed to not see as of the time of this writing, for better or for worse.

Theatrical Review: “Looper”

Directed by: Rian Johnson

Produced by: Ram Bergman, James D. Stern

Written by: Rian Johnson

Cinematography by: Steve Yedlin

Music by: Nathan Johnson

Starring: Bruce Willis, Joseph Gordon-Levitt, Emily Blunt, Jeff Daniels, Noah Segan, Piper Perabo, Pierce Gagnon, Paul Dano, Garret Dillahunt, Summer Qing

Year: 2012

 

If there’s any one element to appreciate in Looper, it’s the fact that writer/director Rian Johnson has committed to this sort of matter of fact tone with the film. Sure, there’s a bit of exhibition in the form of Joseph Gordon-Levitt’s noir-ish narration, but, for the most part, this is a universe that we’re thrown into, given a bit of explanation for, and are asked to just accept. Though the world of the future as portrayed in the film from the years 2044 – 2074 is one that is relatively plausible in appearance (you’re not going to be seeing any androids, aliens, or regular use of spaceflight), it’s important that we accept this world for what it is despite its more fantastical elements, such as the mutation of telekinetic abilities in some members of the future population, as well as the film’s portrayal of the discovery of backwards time travel. The reason for this is because, though these elements play a great deal of a role in the story, the story itself is not necessarily about these elements. You’re not, for example, going to be getting an explanation as to how time travel was uncovered, just that it exists and is being used for nefarious purposes.

It’s almost impossible to sum up the narrative of Looper without delving into too many specifics and spoiling the plot for you, but I’ll try my best to summarize the premise without giving too much away.

Theatrical Review: “The Dark Knight Rises”

Directed by: Christopher Nolan

Produced by: Christopher Nolan, Charles Roven, Emma Thomas

Written by: Christopher Nolan, Jonathan Nolan (screenplay), David S. Goyer, Christopher Nolan (story)

Cinematography by: Wally Pfister

Music by: Hans Zimmer

Starring: Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway, Tom Hardy, Marion Cotillard, Joseph Gordon-Levitt, Morgan Freeman

Year: 2012

 

Foreword

In the wake of the tragedy in Aurora, Colorado, I felt a bit odd about writing my previous review and preparing for my next, as I was writing it in the late night hours as the events were unfolding, unknown to me until the next morning. Much of what I wrote about The Dark Knight reflected a lot of what was happening there, none of it necessarily original or new information, but it was stirring, all the same.

I had no common connection to any of the victims there beyond our similar interest in seeing this new Batman film, all of us anxious in seeing how this trilogy would end, and, unfortunately, many of them never got to see this film, and many more will forever see this film and be reminded of the horrible things they saw that night. What was supposed to be night of fun and entertainment turned into a nightmare, and it affected me, and still does a great deal the more I hear about the events, much more than I thought it would — not because I thought of myself as some tough, emotionless, apathetic person but because it made me realize how even the most mundane things we take for granted can connect strangers based on a mundane commonality.

This just happened to revolve around a movie theatre, a highly anticipated film, and audiences across the world who waited, maybe not in the same proximity, but with the same spirit that united us all in excitement and, unfortunately, also in an unexpected tragedy. In that spirit, if there is anyone out there who is reading this and was affected in some way to those events, I hope you know that, even if I don’t know you, I send my prayers and condolences to you and your families.

Review

Let me just say this now: Christopher Nolan is destined to go down in history as, if not one of the most influential or important filmmakers in blockbuster history, at the very least one of the most revered and respected. The man hasn’t made a bad movie in… well pretty much ever! Some have varied in quality and appeal, of course, but none have been able to cross the general consensus threshold of being considered anything less than a quality film: Following. Memento. Batman Begins. The Prestige. The Dark Knight. Inception. All masterful works of not only high art, but high entertainment. No other filmmaker since maybe Spielberg has managed to pull this synthesis of style, spectacle, and skill as well as Nolan has. And now, with The Dark Knight Rises, we have been given this amazing film that not only provides plenty of thrilling action, but is also an intelligent and thought-provoking conclusion to what will undoubtedly go down in history as one of the greatest film series of all time, The Dark Knight Trilogy.

The Dark Knight Rises – Trailer #3

I kinda missed updating last week. I promise to you and myself that I will have a new review up this week, but I kinda needed a mental break and had a lot going on. To ease back into things, how about a new trailer for The Dark Knight Rises, eh?

So, what do you think? Like the new Batwing (or whatever its equivalent is in this film)? Like the eerie No Man’s Land vibe of the trailer? This its definitely more of a larger scale movie than the first two films, that’s for sure!

The new glimpses of Catwoman are pretty interesting. I’d previously thought that they had possibly made her it to be a reluctant(?) henchwoman for Bane, but it looks like they’re going with the antihero after all, though she definitely still has tires to Bane in some way, since you hear Bruce asking her questions about him.

Bane looks pretty fierce himself and is also notably more intelligible than previous audio from him showed. Dare I say it, but it does sound a bit… off, but we all hour through The Dark Knight despite Christian Bale’s apparently chronic throat condition and it was still a brilliant film.

Notably, we also get way more footage of Joseph Gordon-Levitt’s cop character, albeit in silent clips of his reactions to the happenings in Gotham. He’s still fairly shrouded in mystery, and, to be honest, I’m kinda glad since I’ve pretty much a given that so many other spoilers are likely to reveal themselves as truth. It’s nice having one original character who can be dealt with in so many ways and who brings up so many questions, isn’t it? Like, why do we see him kneeling as if in the presence of… something? I don’t know if it’s malevolent or not, and that is probably going to help bring a great deal of tension to the role.

I’m obviously a Batman fan, as the past few weeks have proven (I promise my next review will be of a very different type of film), so to say that I’m extremely excited for this film is an understatement…

2011 in Review: Notable Films I Managed to Avoid, For Better or For Worse, May – September 2011

<< Part 1: January – April 2011

Ah, summer. A time of blockbusters. The time of year that everyone looks forward to, even people who don’t necessarily like seeing a whole lot of films. 2011′s summer season for me was weird. I quit my job at an ice skating rink in Scottsdale sometime in June and began working full time at the warehouse I had also been working at, where I got a promotion from being a warehouse clerk to, of all things, a bookkeeper — a position my boss really took a chance with me on since the last time I did anything math-related was the easiest math class I could sign up for and still get the required credits to graduate on time with two years prior.

As such, I lost my movie-discussion buddy at the ice skating rink, which would then lead to my ignorance of several major releases in 2011. The friendships I forged there, particularly with my friend Lesley, continue to resonate with me but have also become a sort of symbol of my relationship with movies over the past year, as well, as I have grown to have fewer and fewer new encounters with both, much to my dismay.

I’m grateful for my current job, of course, as it is the first major promotion I’ve ever received, and I’ve gone on to also help in customer service, but without someone I am able to chat with and have meaningful, deep conversations about film with on a regular basis, the more disconnected I’ve grown from what is being released these days, including films I would have otherwise never heard about. Ultimately, this disconnect from what was happening would become so intolerable that I would force myself to start this blog, an aspiration that had been gestating in my heart for well over a year by the time I actually published my first article.

As with part one of this 2011 retrospective of films I didn’t see in theatres or at home, this is not intended to be my final say on these films, but rather a reflection upon what my impression of them was and why, if for any reason, I did not or chose not to see them.

Also, before I move forward, I want to to also thank everyone for the great response I’ve gotten over the past couple days. I never could have imagined  that I would get 3,333 views in one day, and the amount of comments I received on the first part by the first time I saw these figures was more than double the amount of people passing through on a daily basis without even leaving comments at all. To think that this has largely continued into the second day, as well, as I continued to be “Freshly Pressed” just floors me, and I’m more than touched and thrilled to have you all reading my site! Welcome to The Viewer’s Commentary, and I hope you’re enjoying your stay!

Now then, on to the article!

Trailer & Speculation: “The Dark Knight Rises”

Merry Christmas, everyone! Santa’s come early, and he’s brought a pretty exciting gift: the first theatrical trailer for The Dark Knight Rises!

You may have already seen the teaser trailer: , but this new trailer, somehow bleaker than all the previous films’ trailers, gives us an actual glimpse at all the new characters and actors (Marion Cotillard and Joseph Gordon-Levitt, for instance) who have joined the third and, yes, final entry in the Christopher Nolan Batman film series! The most prominent, of course, are Anne Hathaway and a masked Tom Hardy. 

Review: “Hesher”

Directed by: Spencer Susser

Produced by: Natalie Portman, Spencer Susser, Morgan Susser, Lucy Cooper, Johnny Lin, Scott Prisand, Win Sheridan

Written by: Spencer Susser & David Michôd (screenplay), Brian Charles Frank (story)

Starring: Joseph  Gordon-Levitt, Devin Brochu, Rainn Wilson, Natalie Portman, Piper Laurie

Music by: Francois Tetaz, Metallica & Motorhead (incidental music)

Year: 2010 (Sundance), 2011 (wide)

 

I’m going to admit to something: I really don’t know what this movie was going for. It’s as conflicted as its titular character is, and that’s not really a compliment. I admit that I went into Hesher not really knowing what to expect. I knew there was going to be a dark sense of humor throughout undercutting a surprising amount of drama, but what I didn’t expect was the strange, almost pointless reason for its being – again, kind of like Hesher himself.