My apologies for the slightly longer delay in getting this part out. I kinda got stricken with the flu for a few days, and didn’t exactly feel like writing. But, here it is, the final third of the films I didn’t see in the year 2012. This is the period of time where the summer movies begin to trickle out before coming to a complete stop and where film studios begin their flood of Oscar-baiting dramas and such.
That’s not to say that there are never any good action films released during this time. That also isn’t to say that none of these Oscar-baiting films are any good, too. Far from it. 2012 saw the release of Oscar-worthy greats as Argo, Lincoln, and Zero Dark Thirty releasing in the same time period as cash-grabbing features like the final Twilight film, The Hobbit, and Wreck-it Ralph, all with varying degrees of success. It’s actually a fairly ripe time to watch all sorts of movies, come to think of it. Possibly better than even summer!
Still, it’s not like I’m going to see every film released during this time. If anything, I ran out of time and risked going out of budget for all the films that I did want to see, but didn’t always have time to. Then there were also films that, quite frankly, I could just do without seeing. But, for the purposes of this article, I’ve gone through and examined all these, both enticing and repugnant, some being granted my attention possibly for the last time ever, and have collected my thoughts and impressions below. As mentioned previously in parts 1 and 2, this isn’t my final say on these films, and some of the commentary below is based pretty much on plot synopses, other reviews, skimmings, and a heavy use of Wikipedia and Rotten Tomatoes. I watched the trailers where I could and didn’t for those films that I just basically didn’t care. Which ones are those? Read, and you may just find out! Read more…
Produced by: Nora Ephron, Lauren Shuler Donner
Written by: Nora Ephron, Delia Ephron
Cinematography by: John Lindley
Music by: George Fenton
Starring: Tom Hanks, Meg Ryan, Parker Posey, Jean Stapleton, Greg Kinnear, Steve Zahn, Heather Burns, Dave Chappelle
Based on the play Illatszertár (trans. “Parfumerie”) by Miklós László
When I had heard that Nora Ephron passed away not too long ago on June 26, I knew that I had to do a tribute review for her. It’s not that I was a huge fan of her, her films, her plays, or even her widely acclaimed various writings. From my earliest memories of becoming a fan of films, Nora Ephron was among one of the earliest names in film credits that I recognized consistently outside the much more widely recognizable names like Spielberg and Robert Zemeckis. This was largely thanks in part to my mom, who was a fan of many of the films she did make, especially Sleepless in Seattle.
I originally planned on reviewing Sleepless in Seattle, in fact, which was Ephron’s second film as director and first widely acclaimed film. It also happened to be the only film of hers that I had in my library, and only then due to the fact that my mom had somehow managed to have two copies and so, you know, why not? But, though it is not at all a bad film, I must confess that my already limited affection for it has waned over the years, primarily thanks to the Meg Ryan character going completely unrecognized as an insane woman who seriously needs help. Needless to say, after re-watching it for the purposes of a review after not seeing it for several years, I felt as though I wasn’t doing the director justice in writing up a review of a film that I began to see as, well, enjoyable but quite mediocre.
Luckily, I found justification in buying up one of her other films — one that I genuinely love. At $9.99 on Amazon and featuring a DVD copy of the older film, The Shop Around the Corner, which also borrows its story from the same Miklós László’s stage play, You’ve Got Mail was a steal, and its purchase a cathartic experience for me. You see, as a guy, it was hard to admit it for a while but, yes, I genuinely have the whole guilty pleasure thing going on with this movie. Read more…
Ah, summer. A time of blockbusters. The time of year that everyone looks forward to, even people who don’t necessarily like seeing a whole lot of films. 2011′s summer season for me was weird. I quit my job at an ice skating rink in Scottsdale sometime in June and began working full time at the warehouse I had also been working at, where I got a promotion from being a warehouse clerk to, of all things, a bookkeeper — a position my boss really took a chance with me on since the last time I did anything math-related was the easiest math class I could sign up for and still get the required credits to graduate on time with two years prior.
As such, I lost my movie-discussion buddy at the ice skating rink, which would then lead to my ignorance of several major releases in 2011. The friendships I forged there, particularly with my friend Lesley, continue to resonate with me but have also become a sort of symbol of my relationship with movies over the past year, as well, as I have grown to have fewer and fewer new encounters with both, much to my dismay.
I’m grateful for my current job, of course, as it is the first major promotion I’ve ever received, and I’ve gone on to also help in customer service, but without someone I am able to chat with and have meaningful, deep conversations about film with on a regular basis, the more disconnected I’ve grown from what is being released these days, including films I would have otherwise never heard about. Ultimately, this disconnect from what was happening would become so intolerable that I would force myself to start this blog, an aspiration that had been gestating in my heart for well over a year by the time I actually published my first article.
As with part one of this 2011 retrospective of films I didn’t see in theatres or at home, this is not intended to be my final say on these films, but rather a reflection upon what my impression of them was and why, if for any reason, I did not or chose not to see them.
Also, before I move forward, I want to to also thank everyone for the great response I’ve gotten over the past couple days. I never could have imagined that I would get 3,333 views in one day, and the amount of comments I received on the first part by the first time I saw these figures was more than double the amount of people passing through on a daily basis without even leaving comments at all. To think that this has largely continued into the second day, as well, as I continued to be “Freshly Pressed” just floors me, and I’m more than touched and thrilled to have you all reading my site! Welcome to The Viewer’s Commentary, and I hope you’re enjoying your stay!
Now then, on to the article! Read more…
Produced by: Robert Zemeckis, Gary Goetzman, Steve Starkey, William Teller
Written by: Robert Zemeckis, William Broyles, Jr. (screenplay)
Starring: Tom Hanks, Daryl Sabara, Nona Gaye, Peter Scolari, Chantel Valdivieso
Music by: Alan Silvestri (score), Glen Ballard (lyrics)
Based on: The Polar Express by Chris Van Allsburg
The Polar Express… What a divisive film this has been. Look at its ratings on Rotten Tomatoes, and it looks as though it’s almost torn down the middle as to how many people actually liked this film. Many marveled at its technical wizardry, while on the other end of the spectrum others were left disturbed by the character models and their “dead” or “doll-like” eyes. Read more…